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“Lend Me Your Ears” reframes how advertisers should think about attention—and why radio (especially Irish radio) is an undervalued powerhouse. Lumen, best known for eye-tracking, measures behavioral signals of attention and links them to action. The core lesson is the “I spy” truth your five-year-old knows: there’s a big gap between what’s viewable/audible and what’s actually viewed/heard. Media trading often pays for the former; effectiveness depends on the latter.

How Lumen measures attention (and why time matters):

• Using webcams, sensors and controlled panels across TV, online and cinema, Lumen distinguishes ads that could be seen from ads that were seen, and for how long.
• Across media, people ignore more than planners assume (e.g., TV ads play while viewers leave the room; many social ads “appear” but are scrolled past in <1s).
• Dwell time drives memory: more seconds looking → higher ad recall, though conversion rates from attention to memory vary by medium.
• Attention also predicts outcomes: large studies show higher attention aligns with higher brand metrics, clicks, and—crucially—profit (econometric work across 144 models finds a near one-to-one relationship between incremental attention and incremental profit).

From eye-tracking to ‘ear’-tracking (by inference):
There’s no literal ear-tracking, so Lumen infers audio attention by combining audibility (opportunity to hear) and resulting memory to estimate the visual-equivalent attention. Multiple global studies (US, India, with Spotify/Westwood One/BBC, etc.) show audio generates substantial attention, consistent with behavioral findings about mood and context.

Ireland-specific findings:
Working with dentsu and Radiocentre Ireland, Lumen ran an Irish audio study to build local predictive models. Two standout results:

1. Irish radio outperforms global norms on inferred attention and memorability.
2. Radio is an “attention bargain”: when you compare attention per thousand impressions to cost per thousand, radio delivers attention at a notably lower cost than many other channels.

Why Irish radio scores so highly:

• Localization: Ads consistently used Irish (often regional) voices, local cues and insights rather than generic, repurposed global scripts. This tight cultural fit appears to boost selective attention and memory.
• Local craft: Creative was developed by Irish agencies for Irish listeners. The study’s pattern suggests that human, place-rooted creativity is a major multiplier—something a one-size-fits-all global template (or lightly localized AI output) struggles to match.

Implications for planners and brands:

• Not all impressions are equal. Price media on attentive seconds, not just served impressions. Expect diminishing returns and optimize to marginal attention and profit, not just CPM.
• Invest in audio—supplement, don’t substitute. Use radio’s scale and habit to build demand, and add digital audio for addressability and incremental weekly reach. Together they maximize total attentive reach and conversion.
• Fund the creative. Media choices can earn you a fair share of attention; creative earns you an unfair share. Local voices, specificity and storytelling matter. Cheap, generic or AI-flattened creative may save budget but can destroy outcomes.
• Measure what matters. Track audibility/opportunity, attention (or its audio proxy), dwell time and memory—not just delivery—and tie them to business results.

An ethical coda on attention:
Attention has economic value and ethical values. Investing in local radio is not only the hard-nosed choice (more cost-effective attention, stronger profit link), it’s also a civic one: it supports a regulated, trusted, plural local media ecosystem—part of the democratic “free press” infrastructure. In short: do well by doing good.

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